A message from Women For Refugee Women:
“Hear her singing
The women we work with at Women for Refugee Women have been through so much. Many of them have survived sexual violence and torture, and have undertaken arduous journeys in search of safety. But their courage inspires us every day.
Now you too can be inspired by their strength and creativity.
If you are anywhere near the Southbank Centre in London up until 2 July, do drop into the Royal Festival Hall and check out the beautiful Hear Her Singing installation.
Created by artist Charwei Tsai with members of our drama group, the installation shows refugee women singing their own songs and speaking their own poetry, alongside the voices of women who are locked up in Yarl’s Wood detention centre.
You can catch the installation at six places around the Royal Festival Hall, including the Clore Ballroom, the Ticket Office and the Poetry Library, from now until 2 July.
And tomorrow Saturday at 1pm at the Royal Festival Hall there will be a Big Sing, with lots of the refugee women we work with taking part. Come and sing with us!
If you see the installations, please let us know what you think by email or Twitter #HearHerSinging @4refugeewomen”
Watch the trailer: https://www.youtube.com/watch?v=R7kFHI6_PUs&feature=youtu.be
We’re publicizing this notice on behalf of WLMA supporter Mary O’Meara, who’s working on an exciting project:
‘MANCHESTER MUSIC SCENE (1960-present day) Doing things differently here…’
Call for expressions of interest by musicians, and those involved in the music “business” in any capacity. Any gender welcome!
I moved from London to Manchester late 2002 to start a record label and follow my musical dreams. For a long time I’d particularly loved the music that seemed to originate in this wonderful city and I wasn’t disappointed with what I found. One thing disappointed me though, and still does. This being the lack of visibility and support for female artists as well as women working in the “business” – it’s not that they aren’t there, it’s not that the incredible music isn’t happening despite the climate, but there is still, in 2016 a problem with the reception/perception of their music and the struggle that goes into it. From where I’m standing, which is currently Manchester, this problem has persisted for a long time and is particularly startling and disappointing in a city so rich in musical heritage and so proud of it’s innovative and revolutionary attitude in so many areas …
“This is Manchester, we do things differently here…” Tony Wilson. Yes, and no …
I’m currently at the beginning of writing a book focusing on women who make and made music in Manchester as well as those involved in the supporting industry from a cultural, political, artistic and historical perspective. Although I have a lot of people I’d like to talk to in mind already I realize there are more than likely plenty others I’m not aware of. So I’m reaching out to women, and also men, who feel they have something to say in this particular arena. Please get in touch with me via email in the first instance at
‘Breaking Down the Walls of Heartache: How Music Came Out’ – ‘the first history of popular music’s queer pioneers’- by Martin Aston, has just been published by Constable https://www.theguardian.com/music/2016/oct/11/industry-queer-gay-pop-artists-frank-ocean-little-richard
Thanks to Martin for talking to us and interviewing us for his book, for including musicians from WLMA and other women, and spreading the word about lesbian and feminist musicians and our histories.
If you order books online you can support real-life amazons! News From Nowhere, independent radical and community cooperative not-for-profit bookstore run by a women’s collective http://www.newsfromnowhere.org.uk Or use Hive, another alternative which lets you donate to and support your favourite independent bookshop when you buy through http://www.hive.co.uk
We loved finding this graffiti on the notice in the corridor outside the British Library’s exhibition on punk rock http://www.bl.uk/events/punk-1976-78
with the Sex Pistols crossed out and the Slits, X-Ray Spex, Siouxie and the Banshees and Viv Albertine, written in. ‘What about the women!!’ indeed! Go Viv!
Photo Diane Langford/WLMA
For info on women in punk and a series of features by Cazz Blase writing women back into the history of British punk, first published on The F-Word website, please see https://womensliberationmusicarchive.co.uk/p/
Thanks to those women who have been in touch with us at WLMA recently. We’re very pleased to have consequently added some newly donated material, including a new entry on the 80s’ band Sole Sister, and posters and info to expand the entry for Amy and the Angels. Do check it out on https://womensliberationmusicarchive.co.uk/whats-new-in-the-archive/ – and if you have any info or material you think should be archived please do let us know.
Dear friends of WLMA,
Thank you to everyone who’s kindly wished us a happy birthday for this May Day, on the 5th anniversary of our online launch! And thank you to all the people who have contributed positively to this and other feminist archives by making material available, helping us stay afloat with financial donations and providing us with useful feedback. We greatly appreciate your ongoing support. If you’d like to join our volunteers publicising the music archive, do let us know.
Solidarity this May Day with women fighting oppression everywhere. Lean out, shout out – sing out!
Best wishes from the team at WLMA